Judge Rules on Matrix Copyright
over your eyes to blind you from the truth.
– Morpheus –
A judge has ruled that the Matrix film trilogy did not plagiarize the work of Thomas Althouse.
Althouse claimed he had submitted a screenplay “The Immortals” to Warner Bros in 1993, and the Matrix Trilogy produced by the studio had infringed his copyright by incorporating ideas from his screenplay into the Matrix films.
He listed 118 alleged similarities in the Matrix to his own work.
Judge R Gary Klausner stated that the areas referred to were “too general for copyright protection.. or are commonly used, unoriginal ideas.”
The Matrix, written and directed by the Wachowskis is a science fiction action film set in a dystopian future with a storyline in which computer hacker “Neo” (Keanu Reeves) discovers the world experienced by most humans is a dream world of simulated reality – “the Matrix”, created by sentient machines in order to subdue the human race, while machines harness electrical energy and body heat from them as an energy source.
Other humans who have been freed from the illusionary world are involved in a rebellion against machines – a rebellion into which Neo finds himself drawn.
Althouse claimed that his screenplay, set in the year 2235, in which CIA agent attempts to stop a cryogenically reanimated Adolf Hitler from destroying non-immortals, was the inspiration for the Matrix films.
Judge Klausner ruled:
“the only similarity in plot [was] that both stories portray a protagonist attempting to prevent a dominant group from oppressing and annihilating a subservient group”.
“The basic premises of The Matrix Trilogy and The Immortals are so different that it would be unreasonable to find their plots substantially similar,”
“Examining the protectable details in the two works, no jury could reasonably conclude that The Immortals has substantially similar expressions of ideas to The Matrix Trilogy.”
Other projects by the Wachowskis (formerly the Wachowski Brothers) since the success of “The Matrix”, have included writing and directing its two sequels -” The Matrix Reloaded” and “The Matrix Revolutions” (2003), “V for Vendetta” (adapted from the Alan Moore comic), “Speed Racer” a live adaptation of the Japanese anime series and “Cloud Atlas” based on the David Mitchell novel and co-directed by Tom Tykwer.
The next Wachowski film “Jupiter Ascending” and their television series “Sense8” are both due for release in 2014.
Read MoreRocket Raccoon: Are Marvel Comics the Bad Guys?
This week’s release of the first trailer for Marvel’s latest superhero franchise “Guardians of the Galaxy” appeared online and many predict the star of the series may prove to be Rocket Raccoon, voiced by Bradley Cooper.
Rocket Raccoon was originally created by one of Marvel’s best loved contributors, Bill Mantlo, in 1976. The character was inspired by the Beatle’s song “Rocky Raccoon”. Rocket was one of the animals on Planet Halfworld, an abandoned colony for the mentally ill in which animal companions for the patients had been genetically engineered to develop human IQs and the ability to walk on their hind legs.
Mantlo was a prolific writer while working at Marvel, in addition to creating his own cult favourites including Micronauts, ROM the Spaceknight and Rocket Raccoon, he contributed to the Spider Man, Iron Man and the Incredible Hulk series.
Marvel’s most recent movie: Thor; The Dark World has made over $200 million in the US, and the studio could earn up to half a billion more when the Guardians is released in August this year but as Marvel owns the title, Rocket Raccoon’s original creator will not benefit from the anticipated success.
The injustice of a situation where the original creator receives no royalties or benefit when their creation becomes exceptionally successful is highlighted in this case as Mr Mantlo has been seriously disabled since a hit and run accident in 1992. His emergency treatment cost more than $1m, and as it dragged on, his health insurance provider became increasingly reluctant to provide the necessary cover. Finally, Mr Mantlo’s family was forced to sell his assets, including his precious collection of comics and memorabilia.
His family has struggled to pay his medical bills and he now lives in unsatisfactory long-term care at an assisted-living facility in New York.
The owners of Marvel Entertainment certainly are no superheroes, having apparently not shown the slightest bit of support for an ex employee who made such considerable creative contribution to their company. Considering the fact that Disney bought out Marvel in 1999 for $4.24 billion one would imagine that at least a nominal donation would have been affordable at some stage. Apparently the Good Samaritan ethos of their superheroes has no place in their own business. Money has far more value to them than human life. Which makes them much more like the bad guys in the stories, than the good guys. (Micky might be hanging round with the wrong crowd as well)
Fans are using the latest promotional release to bring Mantlo’s predicament back into the spotlight.
Charlotte of Oz on Tumbler asks people to contribute at least the cost of their cinema ticket towards his health care and comic book writer Greg Pack gives details of how to donate directly
http://www.heroinitiative.org/
Read MoreRolling Stones Headline at Glastonbury
home to Glastonbury Abbey, one of the most important abbeys in England.
It’s also a town which attracts thousands of people interested in New Age or Pagan beliefs largely because of the myths and legends related to Glastonbury Tor.
These include references to the Holy Grail, King Arthur and Joseph of Arimathea, with some Arthurian literature identifying it as the legendary Island of Avalon.
Glastonbury Festival of Contemporary Performing Arts
Internationally Glastonbury is best known as home to the most famous music festival in the world – The Glastonbury Festival of Contemporary Performing Arts which includes dance, comedy, theatre, circus, cabaret and other arts as well as contemporary music.
Festival organiser Michael Eavis is a local farmer who was inspired after seeing the open air Led Zeppelin concert at Bath Festival of Blues and Progressive Music, 1970 to host an open air festival on the the farm. 14 people invested everything they had to build the stage (many told them the idea would never catch on). The first festival was in 1970 – and the rest as they say, is history.
Rolling Stones Live at Glastonbury 2013
The Rolling Stones headlined the Pyramid Stage, playing to a crowd of over 170,000 (not bad for a group that has been around for 50 years).
Their gig started around 9.45 pm at the end of a beautifully sunny day in Somerset with the crowd waiting in electric anticipation for the most high profile act ever to perform at Glastonbury (having taken 43 years to get there) .
The Stones played a twenty song set including a version of “Factory Girl” which with specially adapted lyrics became “Glastonbury Girl”
“It was one of the greatest rock and roll sets I’ve ever seen in my life and I think one of the greatest rock and roll sets Glastonbury has ever seen”. “They really just rocked it. The band seemed almost as impressed as the crowd. I guess the audience makes the gig as much as the band.” Telegraph music critic Neil McCormick
Rolling Stones Glastonbury Song List:
‘Jumpin’ Jack Flash’
‘It’s Only Rock ‘N Roll (But I Like It)’
‘Paint It, Black’
‘Gimme Shelter’
‘Glastonbury Girl’
‘Wild Horses’
‘Doom And Gloom’
‘Can’t You Hear Me Knocking’
‘Honky Tonk Women’
‘You Got The Silver’ ‘Happy’
‘Miss You’
‘Midnight Rambler’
‘2000 Light Years From Home’
‘Sympathy For The Devil’
‘Start Me Up’
‘Tumbling Dice’
‘Brown Sugar’
‘You Can’t Always Get What You Want’ ‘
(I Can’t Get No) Satisfaction’
What the Posters Say
An interesting article by musician and writer, Anya Pearson looks at festivals as an annual yardstick of Britain’s musical talent. By taking the much publicised Festival Posters and editing out all acts represented on the posters that do not include at least one female musician, she turns them into a barometer of gender equality in 21st Century Britain. “As a female musician currently in two mixed-gender bands, I have always been painfully aware of my minority status in the music scene.” she says.
Glastonbury 2013 Poster showing music acts appearing at the festival
Glastonbury 2013 Poster – showing only acts that include
at least one female musician (34%).
Glastonbury was not the worst offender for failing to represent female musicians, probably thanks partly to co-organiser of the event, Emily Eavis, but its poster still only had 34% of the acts that included female musicians.
Bestival 2013 Poster showing music acts appearing at the festival
Bestival 2013 Poster showing only acts that include
at least one female (21%)
Reading and Leeds 2013: Poster showing music acts appearing at the festivals
Reading and Leeds 2013: Poster showing only music acts appearing at
the festivals which include at least one female (17%)
Pearson concludes:
“Still, festivals alone are not to blame: promoters, managers and record labels all play their part. As a society we are less encouraging of girls who aspire to headline Glastonbury. I was lucky. My mother is a musician who started out in the 70s and always told me my XX chromosome was no barrier to making music.
That said, there are lots of brilliant female musicians out there – as Yoko Ono’s Meltdown at the Southbank Centre proved. Women aren’t passive consumers of popular culture – we just often lack a creative platform to showcase what we can do.”
http://www.glastonburyfestivals.co.uk/
http://womensliberationmusicarchive.co.uk/
http://www.southbankcentre.co.uk/whatson/festivals-series/yoko-onos-meltdown/
http://www.guardian.co.uk/commentisfree/2013/jun/26/glastonbury-festival-few-women-artists
Read MoreMake Good Art: Neil Gaiman’s Commencement Address
I’m serious. Husband runs off with a politician — make good art.
Leg crushed and then eaten by a mutated boa constrictor — make good art.
IRS on your trail — make good art. Cat exploded — make good art.
Someone on the Internet thinks what you’re doing is stupid or evil or it’s all been done before — make good art.
— Neil Gaiman —
Above: Neil Gaiman giving his commencement address at the University of the Arts Class of 2012
We’re moving into a New Galaxy in which we have the ability to discover the realm of the Legendary Beings – the RainbowZebra.
It is very appropriate that the people that have the privilege of opening the doors to the new realm are all those that keep the spirit of Creation alive within – and express it in their lives. The Artists, the Writers, the Musicians, the Storytellers, the Dancers, the Architects and all those that love the Creative Spirit.
One person who has kept this creative spirit alive more than most, is Neil Gaiman and in this video he shares some good advice for anyone interested in following the creative path.
Neil Gaiman started reading at four and always wanted to be a writer
His commencement address at the University of the Arts Class of 2012 is a classic. The author, who admits he never had a career path planned out, says he just had always made sure he was heading in the right direction to get to the “mountain” in the distance in his mind, that he wanted to “climb”.
Addressing the appreciative audience Gaiman says he just left school and started writing…and continued to write as a journalist, novelist, poet and graphic novelist most famous perhaps for his series of Graphic Novels: Sandman
If you wonder whether this strategy paid off for him, use the link to view a bibliography of his work, and scroll through the list of awards he has received, below.
http://www.neilgaimanbibliography.com/allmenu.html
- 1990-1994 Squiddy Award for Best Writer; later named Best Writer of the 1990s in the Squiddy Awards for the decade[citation needed]
- 1991 World Fantasy Award for short fiction for the Sandman issue, “A Midsummer Night’s Dream“, by Gaiman and Charles Vess[105]
- 1991 Locus Award for Best Fantasy Novel runner-up for Good Omens by Gaiman and Terry Pratchett[105][106]
- From 1991 to 2009, Gaiman has won 19 Eisner Awards for his comics work.[citation needed]
- 1991-1993 Comics Buyer’s Guide Award for Favorite Writer
- 1997–2000 Comics Buyer’s Guide Award for Favorite Writer nominations
- 1991 Favourite Comic Book Story for The Sandman[citation needed]
- 1994 Favourite Comic Book Story for The Sandman[citation needed]
- 1997 Comic Book Legal Defense Fund Defender of Liberty award[107]
- 1999 Locus Award for Best Fantasy Novel runner-up forStardust[105][108]
- 1999 Mythopoeic Fantasy Award for Adult Literature for the illustrated version of Stardust[105][109]
- 2000 Bram Stoker Award for Best Illustrated Narrative for The Sandman: The Dream Hunters[105][110]
- 2001 Bram Stoker Award for Best Novel for American Gods[105]
- 2002 Hugo Award for Best Novel for American Gods[105][111]
- 2002 Nebula Award for Best Novel for American Gods[105][111]
- 2002 Locus Award for Best Fantasy Novel for American Gods[105][112]
- 2003 Hugo Award for Best Novella for Coraline[105]
- 2003 Nebula Award for Best Novella for Coraline[105]
- 2003 Locus Award for Best Young Adult Book for Coraline[105][113]
- 2003 Bram Stoker Award for Best Work for Young Readers forCoraline[105][114]
- 2003 British Science Fiction Association Award, short fiction, forCoraline[105]
- 2004 Hugo Award for the story A Study in Emerald (in a ceremony the author presided over himself, having volunteered for the job before his story was nominated)[105]
- 2004 Locus Award, novelette, for “A Study in Emerald”[105]
- 2004 Bram Stoker Award for Best Illustrated Narrative for The Sandman: Endless Nights[105]
- 2004 Angoulême International Comics Festival Prize for Scenariofor The Sandman: Season of Mists[115]
- 2005 The William Shatner Golden Groundhog Award for Best Underground Movie, nomination for MirrorMask[116] The other nominated films were Green Street Hooligans, Nine Lives, Up for Grabs and Opie Gets Laid.[117]
- 2005 Quill Book Award for Graphic Novels for Marvel 1602[118]
- 2005 Locus Award, short story, for “Forbidden Brides of the Faceless Slaves in the Nameless House of the Night of Dread Desire”[105]
- 2006 Mythopoeic Fantasy Award for Adult Literature for Anansi Boys[105]
- 2006 British Fantasy Award for Best Novel for Anansi Boys[105][119]
- 2006 Locus Award, fantasy novel, for Anansi Boys.[105] The book was also nominated for a Hugo Award, but Gaiman asked for it to be withdrawn from the list, stating that he wanted to give other writers a chance and that it was really more fantasy than science fiction.[120]
- 2006 Locus Award, short story, for “Sunbird”[105]
- 2007 Locus Award, short story, for “How to Talk to Girls at Parties”[105]
- 2007 Locus Award, collection, for Fragile Things[105]
- 2007 British Fantasy Award, collection, for Fragile Things[105]
- 2007 Bob Clampett Humanitarian Award[121]
- 2007 Comic-Con Icon award presented with the at the Scream Awards.[citation needed]
- 2009 Newbery Medal for The Graveyard Book[122]
- 2009 Audies: Children’s 8–12 and Audiobook of the year for the audio version of The Graveyard Book.[123]
- 2009 British Fantasy Award for Best Novel shortlist for The Graveyard Book[124]
- 2009 Hugo Award for Best Novel for The Graveyard Book[105]presented at the 2009 Worldcon in Montreal where he was also the Professional Guest of Honor.[125][126]
- 2009 Locus Award, young-adult novel, for The Graveyard Book[105]
- 2009 The Booktrust Teenage Prize for The Graveyard Book
- 2010 Gaiman was selected as the Honorary Chair of National Library Week by the American Library Association.[127]
- 2010 Carnegie Medal in Literature for The Graveyard Book.[6][7][128][129]
- 2010 Locus Award, short story, for An Invocation of Incuriosity,[105]published in Songs of the Dying Earth[130]
- 2010 British Fantasy Award, comic/graphic novel, Whatever Happened to the Caped Crusader?, by Gaiman and Andy Kubert[105]
- 2011 Locus Award, short story, for The Thing About Cassandra, published in Songs of Love and Death[105][131]
- 2011 Locus Award, novelette, for The Truth Is A Cave In The Black Mountains,[105] published in Stories[131]
- 2011 Shirley Jackson Award for “The Truth Is A Cave In The Black Mountains”[132]
- 2011 Shirley Jackson Award for Stories: All New Tales, edited by Neil Gaiman and Al Sarrantonio (William Morrow)[132]
- 2011 Ray Bradbury Award for Outstanding Dramatic Presentation(with Richard Clark) for The Doctor’s Wife[133]
- 2012 Honorary Doctorate of Arts from the University of the Arts (Philadelphia)[134]
- 2012 Hugo Award for Best Dramatic Presentation (Short Form) for “The Doctor’s Wife“[49][135]