home to Glastonbury Abbey, one of the most important abbeys in England.
It’s also a town which attracts thousands of people interested in New Age or Pagan beliefs largely because of the myths and legends related to Glastonbury Tor.
These include references to the Holy Grail, King Arthur and Joseph of Arimathea, with some Arthurian literature identifying it as the legendary Island of Avalon.
Internationally Glastonbury is best known as home to the most famous music festival in the world – The Glastonbury Festival of Contemporary Performing Arts which includes dance, comedy, theatre, circus, cabaret and other arts as well as contemporary music.
Festival organiser Michael Eavis is a local farmer who was inspired after seeing the open air Led Zeppelin concert at Bath Festival of Blues and Progressive Music, 1970 to host an open air festival on the the farm. 14 people invested everything they had to build the stage (many told them the idea would never catch on). The first festival was in 1970 – and the rest as they say, is history.
The Rolling Stones headlined the Pyramid Stage, playing to a crowd of over 170,000 (not bad for a group that has been around for 50 years).
Their gig started around 9.45 pm at the end of a beautifully sunny day in Somerset with the crowd waiting in electric anticipation for the most high profile act ever to perform at Glastonbury (having taken 43 years to get there) .
The Stones played a twenty song set including a version of “Factory Girl” which with specially adapted lyrics became “Glastonbury Girl”
“It was one of the greatest rock and roll sets I’ve ever seen in my life and I think one of the greatest rock and roll sets Glastonbury has ever seen”. “They really just rocked it. The band seemed almost as impressed as the crowd. I guess the audience makes the gig as much as the band.” Telegraph music critic Neil McCormick
‘Jumpin’ Jack Flash’
‘It’s Only Rock ‘N Roll (But I Like It)’
‘Paint It, Black’
‘Gimme Shelter’
‘Glastonbury Girl’
‘Wild Horses’
‘Doom And Gloom’
‘Can’t You Hear Me Knocking’
‘Honky Tonk Women’
‘You Got The Silver’ ‘Happy’
‘Miss You’
‘Midnight Rambler’
‘2000 Light Years From Home’
‘Sympathy For The Devil’
‘Start Me Up’
‘Tumbling Dice’
‘Brown Sugar’
‘You Can’t Always Get What You Want’ ‘
(I Can’t Get No) Satisfaction’
An interesting article by musician and writer, Anya Pearson looks at festivals as an annual yardstick of Britain’s musical talent. By taking the much publicised Festival Posters and editing out all acts represented on the posters that do not include at least one female musician, she turns them into a barometer of gender equality in 21st Century Britain. “As a female musician currently in two mixed-gender bands, I have always been painfully aware of my minority status in the music scene.” she says.
Glastonbury 2013 Poster showing music acts appearing at the festival
Glastonbury 2013 Poster – showing only acts that include
at least one female musician (34%).
Glastonbury was not the worst offender for failing to represent female musicians, probably thanks partly to co-organiser of the event, Emily Eavis, but its poster still only had 34% of the acts that included female musicians.
Bestival 2013 Poster showing music acts appearing at the festival
Bestival 2013 Poster showing only acts that include
at least one female (21%)
Reading and Leeds 2013: Poster showing music acts appearing at the festivals
Reading and Leeds 2013: Poster showing only music acts appearing at
the festivals which include at least one female (17%)
Pearson concludes:
“Still, festivals alone are not to blame: promoters, managers and record labels all play their part. As a society we are less encouraging of girls who aspire to headline Glastonbury. I was lucky. My mother is a musician who started out in the 70s and always told me my XX chromosome was no barrier to making music.
That said, there are lots of brilliant female musicians out there – as Yoko Ono’s Meltdown at the Southbank Centre proved. Women aren’t passive consumers of popular culture – we just often lack a creative platform to showcase what we can do.”
http://www.glastonburyfestivals.co.uk/
http://womensliberationmusicarchive.co.uk/
http://www.southbankcentre.co.uk/whatson/festivals-series/yoko-onos-meltdown/
http://www.guardian.co.uk/commentisfree/2013/jun/26/glastonbury-festival-few-women-artists
Read MoreThe profoundest thought or passion
sleeps as in a mine,
until an equal mind and heart
finds and publishes it.
— Ralph Waldo Emerson —
Have you ever looked at a beautiful lichen covered rock with wild-flowers dropping pollen on it, and wished you could find a landscape as lovely to step into?
With a bit of imagination you can, as
Fiddle Oak demonstrates in his photograph: “The Melody”
Inspiration may come on a calm evening spent sharing
Summer Tales with a friend:
.. Or even arrive with tomorrow’s dinner.
This magical journey is brought to you by a 14 year old photographer who lives in a suburb of Boston and is home-schooled by his mother who is a sculptor.
Zev Hoover was eight when he started taking photos on his mobile phone for fun. His mother saw the potential he was showing and bought a point and shoot camera for him on eBay. It wasn’t long before she bought him a better one. And then an even better one.
He now has two cameras, both which he has named. He calls his still camera “Betsy” and his video camera is “Diana”.
“I like naming things,” he says. “My bike is named Patrick.”
The youngest in a family, with four siblings ,he gives his older sister Nell credit for helping with some of the ideas for the images he creates. She suggested the idea of images of little folk and he came up with the name of Fiddle Oak as his Flickr name, a play on the words.
“My sister is more of a writer, but she is sort of my partner in crime,” he says. “I do the actual work with the camera and edit the picture, but she helps with a lot of the concepts.”
He describes the process of creating the images:
“I shoot what I call the background — the scene, without props, first. Often it’s a collage of multiple pictures. Then I try to match the lighting of that picture and take pictures of people in the right position to be in the pictures, then I shrink them in Photoshop and change the colors so they match the background a little bit better, then I do overall color editing to make them match. It takes a long time.”
Thanks to Sail for sharing this story .
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Prince Charles came up with the idea after having read the report by the charity Plantlife which showed that the UK has lost 97% of its wildflower meadows in the last 75 years. Wildflower meadows support a far wider range of plants species, compared with agricultural meadows, and the loss has seriously affected the plant species and wildlife that rely on them.
Each meadow will be a donor site to its own county, with hay and seed collected from it being used to create new meadows in the same area.
Nearly 80% of the meadows so far identified for the project, can trace an undisturbed history back to before the Coronaton, and in some cases for hundreds of years.
One of the benefits of using this method is that the local characteristics and rich diversity of the grasslands in each area will be maintained, an outcome that would not be possible to achieve by using generic seed mixes which are unable to reproduce that level of diversity.
The meadows range in size from the tiny Hayton meadow in Shropshire, which is three-quarter of an acre, to the 400 acre Therfield Heath in Hertfordshire home to the largest population of pasque flower in Britain,
Many of the meadows are grazed with native breeds of animals which helps wild flowers survive.
In a statement His Royal Highness The Prince of Wales said: ‘My Coronation Meadows idea came to me when I read Plantlife’s 2012 report and fully appreciated just how many wildflower meadows had been lost over the past 60 years. This year, we are celebrating my mother’s coronation so surely there is no better moment to end this destruction and to stimulate a new mood to protect our remaining meadows and to use them as springboards for the restoration of other sites and the creation of new meadows right across the UK.’
‘His Royal Highness has given us a challenge’ explains Plantlife Chief Executive, Victoria Chester ‘to conserve species and yet to maintain their essential wildness. In an age where we too often turn to the quick-fix of commercial ‘nectar mixes’, Coronation Meadows is both a celebration and a pledge to our children and grandchildren, using the floral riches of the past to create meadow gems for the future.’
‘Restoring meadows is painstaking, long-term stuff – it is about our landscape history and our cultural heritage. Many of the meadows have local significance. For example, Welsh farms often had a Cae Ysbyty or “Hospital Field”, a flower-rich pasture where sick animals would recover from illness or injury faster than on conventional pasture. This project is so resonant because it reminds us just how spectacular and wildlife-rich our countryside can look – and the results can be simply breathtaking.’
http://coronationmeadows.org.uk/
Read More■ £510 million of annual total crop sales in the UK are pollinated by bees and other insects.
■ Replacing bee pollination with hand pollination could cost farmers £1.8 billion a year in labour and pollen alone.
■ The price of many fruits and vegetables would go up without bees. The price of British apples could double.
Hundreds of British Beekeepers and others held a protest in London today to demand that Environmental Minister Owen Patterson backs moves to ban the worst bee-harming neonicotinoid pesticides. Beekeepers were joined by food producers, gardeners and other concerned individuals.
*EFSA scientists have identified a number of risks posed to bees by three neonicotinoid insecticides.
Members of the Environmental Audit Committee (EAC) have spent months hearing evidence on both sides of the argument and its report is unanimously in favour of the ban.
Even MPs from the Government’s own Conservative and Liberal Democrat parties agree Ministers should back a neonicotinoid ban – and dramatically improve the process for testing pesticide safety, but so far the Government has refused to follow the advice and implement this ban.
ADD YOUR VOICE
Sign the Bee Cause Petition organised by Friends of the Earth
Sign the Petition on 38 Degrees
Sign the Petition on Avaaz.org
USA:
Sign the Petition on Change.org
One beekeeper interviewed in this video says:
“I’ve lost three colonies of bees, my neighbouring beekeeper has lost four colonies of bees and we routinely had about 80 to 70 jars of honey a year and last year had 4.”
There is enough pressure on bees already to make their survival difficult, without the use of pesticides that are believed to be linked with the loss of millions of bees worldwide.
Some of the other damaging effects on bees are climate change, damage to their natural environments, other chemicals and toxins that humans have already unleashed on the planet.
— Andrew Pendleton — Friends of the Earth’s Head of Campaigns
The demonstration took place ahead of the vote in Brussels on Monday that will decide whether Europe will introduce a two-year moratorium on a variety of neonicotinoid pesticides.
— Matt Shardlow, chief executive of nature conservation organisation Buglife, and one of the organisers of the protest
***
— Robert Mitton, biological research graduate from London, and one of the protesters.
***
A Newcastle University Study found that one in five bees exposed to imidacloprid from the neonicotinoid family of pesticides, that is commonly used on UK crops including oilseed rape, were “unable to learn”.
This means the whole colony is affected because the bees rely on memory to find flowers and bring back nectar to the hive.
* The European Food Safety Authority (EFSA) is an agency of the European Union that provides independent scientific advice and communication on existing and emerging risks associated with the food chain
Some of the Food Crops Pollinated by Bees…
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